![]() The first part of the film is told entirely from Bauby's point of view, with the camera seeing only the blurry, imprecise images that he sees: When his right eye must be sewn shut to keep it from drying out, we see that from inside the eyelid. What's fascinating is that it is the very restrictions the story imposes on a director that allow Schnabel to turn it into such an eerie stunner of a movie. ![]() In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. ![]() And once a therapist devised a system for him, he could blink whole words and phrases.Īnd over the course of 14 months, he was able to blink out, one letter at a time, a best-selling memoir of his ordeal called The Diving Bell and the Butterfly - a memoir that possibly no one but a neo-expressionist artist like Julian Schnabel would regard as an attractive basis for a film. A triumphant memoir by the former editor-in-chief of French Elle that reveals an indomitable spirit and celebrates the liberating power of consciousness. Only his left eye worked - but that eye proved a window to the world, because with it, Bauby could blink yes-or-no answers to questions. He awoke in a hospital bed, unable to move or to speak, an angry, unrepentant prisoner of his own body. ![]() ![]() Jean-Dominique Bauby, editor of the French edition of Elle magazine, was a womanizing man-about-Paris at 43. Movies Bryant Park Project: A Beautiful Movie: 'The Diving Bell and the Butterfly' ![]()
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